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Tokyo Mirage Sessions #FE (Wii U): COMPLETED!

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Oh yes. Now this is a damn fine game. I’ve always liked JRPGs although it’s few that I finish mainly due to their overwhelming length, or in some cases, complexity or difficulty. I thoroughly enjoyed Persona 4 Golden for the 10 or 15 hours I put into it, but something about the complicated Persona system confused me enough to cause me to back away. Having completed Tokyo Mirage Sessions #FE, I’m dying to get it back in.

Tokyo Mirage Sessions #FE

Why would Tokyo Mirage make me want to get back to Persona? Because Tokyo Mirage is Persona, only with a light Fire Emblem theme and a more streamlined, easier to understand, weapon and skill system. It’s My First Persona, and that is absolutely in no way putting it down – it’s a way into the world of Persona and is more than awesome enough in its own right too.

I loved the setting, the quirky Japaneseness, the characters and the real world (almost) locations. The acting and singing as a form of “training” for battle and unlocking abilities is crazy but works, with performances of some great JPop tracks. I became obsessed with the Carnage weapons and their upgrade system, unlocking skills and powers as you go. I don’t recall playing a game where as well as levelling up your characters, you can also level up your powers and your weapons, and even your capabilities as a performer allowing even more skills and abilities.

Tokyo Mirage Sessions #FE

Dungeons don’t feel like dungeons, even though they plainly are, and each isn’t just differently themed, they have their own puzzle mechanic – from finding the correct order of buttons to press, to running errands, to essentially a variant on a slide puzzle. It might have just six or so of these Idolaspheres, once for each chapter, but they’re large and full of surprises, especially when you return to them later and access different areas.

There’s a well paced difficulty curve, but if you find things difficult and decide to push that JRPG staple of grinding, the game helps out by providing not only a specific area – the arena – full of enemies, but also two skills or items you can use to summon random encounters at a higher rate, or even higher level enemies more frequently.

As for my playthrough, I spent 70 excellent hours working my way to the final boss, and another five failing, levelling and then defeating him. Seventy five hours of glorious combat, funny dialogue and twisted Tokyo. Quite possibly my game of the year so far.

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The post Tokyo Mirage Sessions #FE (Wii U): COMPLETED! appeared first on deKay's Gaming Diary.

Beware Planet Earth (PC): COMPLETED!

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I continued playing this again a few days ago having “paused” almost exactly a year ago. I think I’d struggled on a level and lost interest, but it is actually a very good tower defence game. I resumed it part way through Autumn (the game is split into four chapters, one for each season), and quickly progressed to Winter, where I ran into difficulty.

Beware Planet Earth

It’s just so damn hard. In the final season, you have to deal with your weapons freezing, and although you get an item to help negate this later on, it’s not cheap and uses up precious space on the map. Eventually though, I made it to the end boss who was surprisingly simple – or not surprisingly, considering a power-up you’re given right at the end.

I can definitely recommend Beware Planet Earth, especially if you like this sort of game. And it has a toilet in it, so what more can you want?

Click to view slideshow.

The post Beware Planet Earth (PC): COMPLETED! appeared first on deKay's Gaming Diary.

McPixel (Mac): COMPLETED!

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Filling the five-minutes-here-and-there hole left by Gunpoint, is this – McPixel. It’s sort of like Warioware in that you’ve only a few seconds to complete each level, but different in that you have more seconds, and that to win you mostly just randomly click on things with little or no logic. A speed point-and-click adventure game, if you will.

McPixel 2016-08-03 at 16.43.43

McPixel is funny, and I mostly enjoyed it, but too many of the levels involve finding an almost imperceptibly different background tile, or a few indistinct pixels to click on, sometimes in combination with other unrecognisable items in order to beat them.

I can’t recommend it for anything more than novelty value, unfortunately, but since I got it for free I’m not going to complain too much. And I completed it (although didn’t stretch to the bonus and DLC levels), which counts for something, perhaps.

Click to view slideshow.

The post McPixel (Mac): COMPLETED! appeared first on deKay's Gaming Diary.

Assassin’s Creed Revelations: completed!

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I actually completed this a while ago, but it's taken me ages to get around to writing about it - and getting the screenshots off my capture box.  Plus, you know, there were some after-game parts I wanted to get around to, including an achievement for catching the taxman which occurs once in a blue moon.  I may write about those separately.

The main game first, then.  The storyline, pulling together the missing parts of Altäir's life with the later years of Ezio, was probably the most coherent yet, although the modern-day parts, with Desmond in some sort of coma, were less successful.  The story missions seemed more varied and tighter than in previous games, but the amount of extraneous guff seemed too high - the tower defence games and constant need to send assassins to the Mediterranean were not optional enough and felt entirely superfluous.

The city of Constantinople wasn't as interesting as Rome, partially due to a lack of countryside and ancient ruins.  There was possibly more variety in buildings, but I found myself constantly having the refer to the map to work out where I was, whereas navigating Brotherhood's city was second nature by the time I finished the game.  The poor draw distance from viewpoints didn't help.


Having said that, the game on the ground is stunning to look at, and I enjoyed the parkour more than before, largely due to the hookblade which allows you to make large jumps with little fear of damage. I noticed I played the game slightly differently as well - making more use of the hiding places and running from enemies, rather than simply engaging in the fight until they were all dead.



The one weak point in the story was the involvement of Sofia Sartor, who came across as naïve and hopeless at several points throughout the game.  Her kidnapping was a cliche too far.  It wasn't made clear why she was so interested in Ezio's books, and the limited involvement the two of them had didn't establish any sort of relationship.  Ezio continued to ignore her and hide away throughout, which makes the idea that there would have been any sort of romance extremely unlikely.


But she helped him find random books, so that's alright.

The end credits went on for hours, over a dull background of the destroyed animus hub.  Which was then rebuilt, so you could continue to play and find stuff.


Which I did.


Assassin’s Creed Revelations: completed!

Posted on Written by

I actually completed this a while ago, but it's taken me ages to get around to writing about it - and getting the screenshots off my capture box.  Plus, you know, there were some after-game parts I wanted to get around to, including an achievement for catching the taxman which occurs once in a blue moon.  I may write about those separately.

The main game first, then.  The storyline, pulling together the missing parts of Altäir's life with the later years of Ezio, was probably the most coherent yet, although the modern-day parts, with Desmond in some sort of coma, were less successful.  The story missions seemed more varied and tighter than in previous games, but the amount of extraneous guff seemed too high - the tower defence games and constant need to send assassins to the Mediterranean were not optional enough and felt entirely superfluous.

The city of Constantinople wasn't as interesting as Rome, partially due to a lack of countryside and ancient ruins.  There was possibly more variety in buildings, but I found myself constantly having the refer to the map to work out where I was, whereas navigating Brotherhood's city was second nature by the time I finished the game.  The poor draw distance from viewpoints didn't help.


Having said that, the game on the ground is stunning to look at, and I enjoyed the parkour more than before, largely due to the hookblade which allows you to make large jumps with little fear of damage. I noticed I played the game slightly differently as well - making more use of the hiding places and running from enemies, rather than simply engaging in the fight until they were all dead.



The one weak point in the story was the involvement of Sofia Sartor, who came across as naïve and hopeless at several points throughout the game.  Her kidnapping was a cliche too far.  It wasn't made clear why she was so interested in Ezio's books, and the limited involvement the two of them had didn't establish any sort of relationship.  Ezio continued to ignore her and hide away throughout, which makes the idea that there would have been any sort of romance extremely unlikely.


But she helped him find random books, so that's alright.

The end credits went on for hours, over a dull background of the destroyed animus hub.  Which was then rebuilt, so you could continue to play and find stuff.


Which I did.