With sufficient blocking of the guards’ attacks, and aggressive hits towards them, it’s possible to get most guards to back up over the edge of a pit, landing on spikes, or getting cut in half by the blades. Doing so take time, but it’s very satisfying. Serves them right for attacking me.

I’ve completed level 11 now, and am back up in the palace after my return to the dungeons. In keeping with the way the original game allowed for saves, I am trying to keep my time for each level down as much as possible, so theoretically the overall game time would not exceed an hour, but the ability to adjust times per level after the fact makes the game much more fun to play. It’s still not easy – and it’s definitely my skill level that’s at fault here, not the controls – and I frequently die towards the end of a stage by misjudging a jump or accidentally just running over a cliff.

One level in particular took me a very long time to complete. Level 7 really isn’t that difficult – you have to loop around to find a potion which allows you to jump down much further than usual – but there were some parts which I just really struggled with executing, particularly when there was a time limit of a gate closing. The full map of the level can be found here, but it’s no immediately obvious where there are difficulties.

Anyway, the change in backgrounds is a relief, and the level design continues to be inventive. In level 11 there is one section where it seems you could simply climb up a ledge, but if you try to do so a guard would kill you before you had a chance to get your sword out. Instead there is a long convoluted route around so you can be on the passageway above, and then running to the left (across a floor that is collapsing as you run) means that you fall down at the other edge of the screen, giving you time to fight the guard.

For Christmas I was given the new Prince of Persia game, the Lost Crown, and (despite this diary’s protestations) I have played a fair bit of it. It’s a very stylish exploratory platformer, similar to Metroid Fusion in many ways including themed areas and dynamic paths, but with much more flair over the combat and traversal. The systems and collectables are a little overwhelming at times, and the need to find save positions doesn’t work from the way I want to play it. Still, a good game which I will write about and play more in the future.

It has reminded me, however, that I have never really put much time into the original game. I believe I had it for an old PC that my dad brough home from work, but that also came with Lemmings and that’s where most of my time went. Prince of Persia seemed to be a bit too difficult for young me.

Young me had better reflexes but less experience. Let’s see what matters here.

I tried a number of ways to play the game, including via GOG, Ubisoft, Steam – it’s seemingly not for sale anywhere – and then onto emulators for the SNES, Mega Drive, Master System, and even the Game Boy Colour. None were particularly satisfying, with updated graphics taking away the feel of the original, or some slight input lag impacting on the way it played. In the end I found the website https://princejs.com/ which allows the entire original game to be played via Javascript, with an added bonus of an easy way to adjust the time.

Prince of Persia was designed around a deadline; you have 60 minutes to complete all levels and rescue the princess. You have unlimited lives, but you have to complete a full level each time and the timer doesn’t reset if you die, so eventually you would just run out of time. This makes the game very stressful, and was obviously put in place to add replayability value; you need to explore the levels to know which route to take, but it’s impossible to do so while also meeting the overall time limit. Some sections of platforming require a sequence or timing which isn’t immediately evident and require trial and error; some parts have a number of switches to be activated in a certain order; there are some false floors which will drop you to your death with not enough warning the first time you walk over them. You would need to learn each level at a time and then add them to your repertoire as you progressed, in order to complete the game.

Ain’t got no time for that now.

So, instead, I am using the URL of the website to reset my time up a bit each time I complete a level. That way I can explore at my leisure, and not be tempted to rush through sections just to build up a time buffer. I’ve also increased the Prince’s health a bit, just so I don’t get frustrated with the sword fights. In most cases I am only ever losing one or two bits of health (off the four I would usually have at this point) before finding potions, but the buffer removes a great deal of stress. The game is now something I will play a level of from time to time, not getting anxious about needing to progress.

I’ve just completed the fifth level, which was very convoluted in structure. I’ve met the shadow prince as well, who stole one of my potions (not that I actually needed it), so I’m out for revenge.

Having got further than ever before in Populous the Beginning (including a couple more levels after I posted previously), I find myself strangely unwilling to finish the game. After the last level I played there was a cutscene which showed my shaman becoming a god and passing the mask on; the last level feels like it may be very different to the rest, and after so many years I don’t know if I want it to end. And so rather than play that, I went back to the original game, with my standard tactic of raising the land a few levels higher than my opponent, and then waiting until I could flood them and destroy the majority of their followers.

And it mostly worked.

I remember that on the Mega Drive I had a sheet of paper on which I wrote down level codes. One of the clever things about Populous was that, while there were 500 levels defined, you didn’t have to play them all on the way to the end. Instead, depending on how you did you would skip over several levels at a time. This also meant that two games, starting from GENESIS, would usually be different, and the tactics you needed to deploy would vary as well.

And so this time I found my standard tactics didn’t work so well on a few early levels. First, there were some mountainous levels where my opponent naturally built high themselves, so the floods didn’t destroy all their settlements. Second, there were some levels where my opponent also had the flood ability – in one case that was their only power – which again meant they were loath to settle too low (although there was one occasion when the enemy had exclusively built on the lowest level, and then used flood, almost wiping themselves out and not me). Third, there were a couple of levels where I didn’t have the flood power either, and so I had to use other abilities to overrun the enemy; mainly through the use of powerful knights.

Reacting to events makes the game interesting, including repairing settlements after swamps have been cast, building around volcanoes, and watching the random rock monster or witch generate a straight line of stones or vegetation straight through both factions. But building high is still key, except on those levels where nobody can flood or use earthquakes …